Poster in a Bhopali cafe
AB, to your pulp-art taste I'm sure :P
Monday, May 31, 2010
I don't care that it's 47 degrees C and I have to hold an umbrella. I'm getting married today. So fuck you!
Dearest Hawtt dudie,
If you ever see this video, please know that I was very late for work because your entire family's favourite pastime is gallivanting to bhojpuri music on a National Highway in the middle of the day, in the middle of summer.
Also, while I was waiting for your highness and HMS* Equestrian Ass to pull over, I could think of but three rational reasons why you must get married in sweltering Madhya Frigging Pradesh on a Wednesday afternoon in May -
You get to sport these really sexy glares/cooling glass/goaggles while there is a horse between your legs
You can have the audacity to look like a clown who's really really so desperate to get married despite all weather-beaten odds that you're prepared too hold an umbrella over your head while there is a bloody horse between your legs
You get to lead the most gaudy and retarded entourage that decides to block traffic on NH-12 for over an hour just because you have a bloody horse between your friggin legs
You can have the audacity to look like a clown who's really really so desperate to get married despite all weather-beaten odds that you're prepared too hold an umbrella over your head while there is a bloody horse between your legs
You get to lead the most gaudy and retarded entourage that decides to block traffic on NH-12 for over an hour just because you have a bloody horse between your friggin legs
Please know that I am pissed. Very Pissed.
Love,
Your biggest fan
*HMS - Haggard Motherf*****g Steed
Sunday, May 23, 2010
Us and Them
I don’t like airplanes. I don’t like being disturbed when I’m asleep.
Don’t try to wake me on an airplane.
If you are a harebrained airline steward (as opposed to the fictional intelligent one, eh?) who particularly enjoys being at the receiving end of some nimble eye-gouging or clumsy rectal probing, ignore the warning.
My shoulder was nudged by a hand that ignored the warning. The hand would soon be involved in a fierce struggle to prevent involuntary colonic irrigation by a monkey with a squirt gun.
There was a voice. As I was roused, my ears were forcefully strained to tune into what seemed like a command. Over the acoustic rendition of Careless Whispers (ironic?) – the sort of airline music that would leave the world one less gay George Michael to worry about - was an emphatic command from the airline steward to pull up the window shades. I could hear myself asking why. Why must I pull up the window shades?
Windows. I like windows.
I like the windows in a suburban apartment complex.
Recently, a colleague moved into an apartment in my complex. She has spent a majority of her lifetime in South Delhi (apparently called SoDi by her and others who stemmed from a gene pool that primarily begets bigots, people who say things like mirror-mirror-on-the-wall and people who think Facebook invented ‘The Wall’. Mister Pink Floyd, I apologize).
Here’s the thing about people from South Delhi – I don’t like you.
Correction – I can’t like you.
But here’s what I do like - Irish Whiskey, cigar smoke, a 7th floor balcony view of a grid of windows lit up against the night and conversation with the condescending SoDi woman that is limited to pointing to positions on this fluid grid of lights - 5th floor, right wing, 3rd window from the edge, Aerobics Aunty; 10th floor, central wing, middle window, Chaste Chetan.
Some people talk. Some others poke.
But the both of us - we point. We peep. We peek.
People at work call us voyeurs. These, I think, are the sort of people that poke.
Once every fortnight, standing in her balcony, leaning against the parapet – we watch. We watch a microcosm of suburbia live, Live. We watch Aerobics Aunty running towards her bedroom’s left wall, on the treadmill – not moving an inch. An almost motionless motion. Four windows to her left, Protein-shake Pawar sweating it out on his treadwheel, runs to the right, runs to Aunty. Lovers unaware of their love.
Some lovers are victims of religion, some of society and some of Shakespeare. Our lovers were being kept apart by bricks, concrete and three windows.
Incognizant lovers - AA and PP, loving incognito.
Once a fortnight, we spend our evening with Scrawny Shilpa while she tries to learn Salsa (or Jazz or Kathak? Or whatever, I don’t really know! Not my fault, I can’t tell one from the other two feet away; at fifty metres they all look like conditioned epilepsy to me) or the Harridan on the 3rd Floor – the sort of woman who has perfected the art of nagging at a pitch that drives both men and dogs wild; on grounds of uncanny similarity - the sort of woman who most definitely gave birth to your ex or my ex or anyone’s ex; the sort of woman who PMSes during menopause. Here’s the definitive answer to all those Miss Worlds striving for world peace – Kill Her. Please!
Windows. I like them.
Cars - not so much. But car windows are a different ball game altogether. And speaking of car windows and games, try this one the next time you’re driving to work and are stuck in a bad traffic jam.
Peer into any vehicle that is below a car in the automotive food chain – bus, autorickshaw or a taxi. Say for example, a bus. Pick one window, perhaps the one framing the most seemingly docile passenger and preferably of the opposite sex. Look her in the eye and lock your gaze. Don’t blink. Don’t flinch. Stare.
Now that you’ve grabbed her attention contort your face into expressions that would put a Kathakali dancer to shame – lust, rage, envy, pity, resentment, hatred, awe or even epiphany. Once you’ve found the one that displaces her from her comfort zone – stick to it and hope that the jam lasts long enough to drive her to suicide but just short of her actually slitting her wrist. It’s the Moment of Mindfuck.
If you’re not alone in the car, stare together. All at once, four faces consumed by rage – stare. Stare at same pair of docile eyes. Stare till she is reduced to desperately groping for that elusive blade with her name on it. Mindfuck. Communal Mindfuck.
I like windows. Why must I pull up the window shades?
He commands me to pull up the window shades again. Why? Give me a logical reason to pull up the shades.
“Erm… hmm… Sir, so that when it’s dark, people outside can see the light inside.”
It’s summer. 10 AM. 43 degrees hot Hyderabad. It’s anything but dark. So, why must I pull them up?
“Sir, when the plane lands and if there is a terrorist on the runway, you will not be able to see him!”
Great! Why would I want to see him? I can’t see him. So he can’t see me. Right?
"Erm..."
Don’t try to wake me on an airplane.
If you are a harebrained airline steward (as opposed to the fictional intelligent one, eh?) who particularly enjoys being at the receiving end of some nimble eye-gouging or clumsy rectal probing, ignore the warning.
My shoulder was nudged by a hand that ignored the warning. The hand would soon be involved in a fierce struggle to prevent involuntary colonic irrigation by a monkey with a squirt gun.
There was a voice. As I was roused, my ears were forcefully strained to tune into what seemed like a command. Over the acoustic rendition of Careless Whispers (ironic?) – the sort of airline music that would leave the world one less gay George Michael to worry about - was an emphatic command from the airline steward to pull up the window shades. I could hear myself asking why. Why must I pull up the window shades?
Windows. I like windows.
I like the windows in a suburban apartment complex.
Recently, a colleague moved into an apartment in my complex. She has spent a majority of her lifetime in South Delhi (apparently called SoDi by her and others who stemmed from a gene pool that primarily begets bigots, people who say things like mirror-mirror-on-the-wall and people who think Facebook invented ‘The Wall’. Mister Pink Floyd, I apologize).
Here’s the thing about people from South Delhi – I don’t like you.
Correction – I can’t like you.
But here’s what I do like - Irish Whiskey, cigar smoke, a 7th floor balcony view of a grid of windows lit up against the night and conversation with the condescending SoDi woman that is limited to pointing to positions on this fluid grid of lights - 5th floor, right wing, 3rd window from the edge, Aerobics Aunty; 10th floor, central wing, middle window, Chaste Chetan.
Some people talk. Some others poke.
But the both of us - we point. We peep. We peek.
People at work call us voyeurs. These, I think, are the sort of people that poke.
Once every fortnight, standing in her balcony, leaning against the parapet – we watch. We watch a microcosm of suburbia live, Live. We watch Aerobics Aunty running towards her bedroom’s left wall, on the treadmill – not moving an inch. An almost motionless motion. Four windows to her left, Protein-shake Pawar sweating it out on his treadwheel, runs to the right, runs to Aunty. Lovers unaware of their love.
Some lovers are victims of religion, some of society and some of Shakespeare. Our lovers were being kept apart by bricks, concrete and three windows.
Incognizant lovers - AA and PP, loving incognito.
Once a fortnight, we spend our evening with Scrawny Shilpa while she tries to learn Salsa (or Jazz or Kathak? Or whatever, I don’t really know! Not my fault, I can’t tell one from the other two feet away; at fifty metres they all look like conditioned epilepsy to me) or the Harridan on the 3rd Floor – the sort of woman who has perfected the art of nagging at a pitch that drives both men and dogs wild; on grounds of uncanny similarity - the sort of woman who most definitely gave birth to your ex or my ex or anyone’s ex; the sort of woman who PMSes during menopause. Here’s the definitive answer to all those Miss Worlds striving for world peace – Kill Her. Please!
Windows. I like them.
Cars - not so much. But car windows are a different ball game altogether. And speaking of car windows and games, try this one the next time you’re driving to work and are stuck in a bad traffic jam.
Peer into any vehicle that is below a car in the automotive food chain – bus, autorickshaw or a taxi. Say for example, a bus. Pick one window, perhaps the one framing the most seemingly docile passenger and preferably of the opposite sex. Look her in the eye and lock your gaze. Don’t blink. Don’t flinch. Stare.
Now that you’ve grabbed her attention contort your face into expressions that would put a Kathakali dancer to shame – lust, rage, envy, pity, resentment, hatred, awe or even epiphany. Once you’ve found the one that displaces her from her comfort zone – stick to it and hope that the jam lasts long enough to drive her to suicide but just short of her actually slitting her wrist. It’s the Moment of Mindfuck.
If you’re not alone in the car, stare together. All at once, four faces consumed by rage – stare. Stare at same pair of docile eyes. Stare till she is reduced to desperately groping for that elusive blade with her name on it. Mindfuck. Communal Mindfuck.
I like windows. Why must I pull up the window shades?
He commands me to pull up the window shades again. Why? Give me a logical reason to pull up the shades.
“Erm… hmm… Sir, so that when it’s dark, people outside can see the light inside.”
It’s summer. 10 AM. 43 degrees hot Hyderabad. It’s anything but dark. So, why must I pull them up?
“Sir, when the plane lands and if there is a terrorist on the runway, you will not be able to see him!”
Great! Why would I want to see him? I can’t see him. So he can’t see me. Right?
"Erm..."
Subscribe to:
Posts (Atom)